I finished watching Leverage. It was splendid and amazing
and the ending was everything I wanted it to be. After a few false starts I
picked up Bones which Jonathan thought I would like. He was right, of course,
and, because I’m me, I started putting the shows next to each other, sizing
them up.
Not comparing the
shows. No, that would be silly. One is a heist show and the other’s about
criminal anthropology. Other than the fact that they both feature a crime of
the week, have a tacit understanding of the concept of family of choice, are
made up of characters who are ridiculously good at what they do and star two actors
who were also in Angel, they are two separate genres and deserve to be treated
as such. No, what I was determining was where I might fit in the character maps.
I wrote about wanting to fit into Leverage some years ago. I
would dig the post up, but that blog is currently down for the foreseeable
future (hence the move to here) so I will simply recap. I said I wished I could
be a member of the Leverage team and Seth said I wouldn’t fit because they were
all too broken and sad. He asserted I am too happy and whole to belong with the
likes of Nate Ford and the rest. Believe it or not, I found this upsetting
because, really, who wouldn’t want to fit in with the ridiculously skilled
family-of-choice who go after bad guys?
I eventually got over my upset and understood the compliment
he was trying to pay. And now I’m contemplating Bones and, for all the I
enjoyed Leverage so much more, on this particular scale Bones might be winning
out because, in the midst of their team of ridiculous smart and capable, there
stands Angela Montenegro.
Sure, she’s an artist who can recreate a person’s face from
a clean skull, but that’s not the point. The point is that, in the midst of a bunch
of nerdy scientists who lack some of the most fundamental people skills, she
stands as a compassionate soul who understands her fellow man. She is caring,
often less able to distance herself from the victim of the week, a true lover
of beauty who is often hurt by the ugliness she sees around her. And the show
treats her with respect for it. This caring is not a weakness. No, if anything
she becomes the lab’s liaison with the outside world, facilitating some of the
more delicate and tender interactions with people who have been hurt,
traumatized or are confused.
She sat across a café table from the wife of a serial killer
and I thought, “That would be me.” No, I don’t actually want that seat and,
like I said, she is a genius with facial reconstruction, but the team had a
place for the compassionate quasi-normal.
As someone who often feels aggressively average it’s just
nice to know a TV show might have a place for me.
No comments:
Post a Comment